Throughout work on this particular idea, I wanted to keep/retain a very simple cover design, using Kris Sowersby’s initials ‘KS’ (preferably in a capitalised format) on the side relevant to that particular font.
The lower of the designs presented implements each font over half of the design, for which each section uses the older and modern fonts, and could be spilt over each cover. However, from designs considered, I have chosen to use the concepts in the top images, for which will be presented on each alternate covers.
The simple join between the two letterforms are clearly reflective of Sowersby’s logotypes found on his website, and the blue colouring chosen to present the older font (Caslon) is an obvious link to the tone within the inside pages.